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Science and inventions of Leonardo da Vinci : ウィキペディア英語版
Science and inventions of Leonardo da Vinci

(詳細はpolymath, regarded as the epitome of the "Renaissance Man", displaying skills in numerous diverse areas of study. Whilst most famous for his paintings such as the ''Mona Lisa'' and the ''Last Supper'', Leonardo is also renowned in the fields of civil engineering, chemistry, geology, geometry, hydrodynamics, mathematics, mechanical engineering, optics, physics, pyrotechnics, and zoology.
While the full extent of his scientific studies has only become recognized in the last 150 years, he was, during his lifetime, employed for his engineering and skill of invention. Many of his designs, such as the movable dikes to protect Venice from invasion, proved too costly or impractical. Some of his smaller inventions entered the world of manufacturing unheralded. As an engineer, Leonardo conceived ideas vastly ahead of his own time, conceptually inventing a helicopter, an armoured fighting vehicle, the use of concentrated solar power, a calculator, a rudimentary theory of plate tectonics and the double hull. In practice, he greatly advanced the state of knowledge in the fields of anatomy, astronomy, civil engineering, optics, and the study of water (hydrodynamics).
Leonardo's most famous drawing, the ''Vitruvian Man'', is a study of the proportions of the human body, linking art and science in a single work that has come to represent Renaissance Humanism.
==Condensed biography==
(詳細はVinci, in the valley of the Arno River near Florence, firstly with his mother and in later childhood in the household of his father, grandfather and uncle Francesco.
His curiosity and interest in scientific observation were stimulated by his uncle Francesco, while his grandfather's keeping of journals set an example which he was to follow for most of his life, diligently recording in his own journals both the events of the day, his visual observations, his plans and his projects. The journals of Leonardo contain matters as mundane as grocery lists and as remarkable as diagrams for the construction of a flying machine.
In 1466, Leonardo was sent to Florence to the workshop of the artist Verrocchio, in order to learn the skills of an artist. At the workshop, as well as painting and drawing, he learnt the study of topographical anatomy.〔''Topographical anatomy'' is the anatomy that is visible on the surface of the body.〕 He was also exposed to a very wide range of technical skills such as drafting, set construction, plasterworking, paint chemistry, and metallurgy.
Among the older artists whose work stimulated Leonardo's scientific interest was Piero della Francesca, then a man in his 60s, who was one of the earliest artists to systematically employ linear perspective in his paintings, and who had a greater understanding of the science of light than any other artist of his date. While Leonardo's teacher, Verrocchio, largely ignored Piero's scientifically disciplined approach to painting, Leonardo and Domenico Ghirlandaio, who also worked at Verrocchio's workshop, did not. Two of Leonardo's earliest paintings, both scenes of the ''Annunciation'' show his competent understanding of the linear perspective.
Leonardo was profoundly observant of nature, his curiosity having been stimulated in early childhood by his discovery of a deep cave in the mountains and his intense desire to know what lay inside. His earliest dated drawing, 1473, is of the valley of the Arno River, where he lived. It displays some of the many scientific interests that were to obsess him all his life, in particular geology and hydrology.
〔Liana Bortolon, ''The Life and Times of Leonardo'', Paul Hamlyn, 1967〕

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